New York Times bestselling author Jacqueline Carey returns to the curious Midwest tourist community where normal and paranormal worlds co-exist—however tenuously—under the watchful eye of a female hellspawn……
Fathered by an incubus, raised by a mortal mother, and liaison to the Pemkowet Police Department, Daisy Johanssen pulled the community together after a summer tragedy befell the resort town she calls home. Things are back to normal—as normal as it gets for a town famous for its supernatural tourism, and presided over by the reclusive Norse goddess Hel.
Not only has Daisy now gained respect as Hel’s enforcer, she’s dating Sinclair Palmer, a nice, seemingly normal human guy. Not too shabby for the daughter of a demon. Unfortunately, Sinclair has a secret. And it’s a big one.
He’s descended from Obeah sorcerers and they want him back. If he doesn’t return to Jamaica to take up his rightful role in the family, they’ll unleash spirit magic that could have dire consequences for the town. It’s Daisy’s job to stop it, and she’s going to need a lot of help. But time is running out, the dead are growing restless, and one mistake could cost Daisy everything……
I’ll let you in on a secret: writing a year-end Best of list is harder than it seems. Oh sure, there are a few books that you know will be on the list without a doubt, but for every one of those, there are one or two where you think that maybe will be on there, but then with hindsight you realize that while that book was good it wasn’t as great as you thought which makes rounding out that list tough. And that’s where I’m at now: trying to round out my list as we rapidly approach the end of the year. I bring this up because for a while I was debating putting Dark Currents on the list. I liked the world building and the characters and was excited to read this. That excitement held through the first half of the book and then eventually petered out. Is that previous book still worthy of placement if the series falls off almost immediately?
My problem with this book comes from its bi-plot nature: the first book which focuses on Daisy’s relationship with Sinclair and general duties as Hel’s Enforcer. Come midpoint, we finally meet Sinclair’s mother, she unleashes said spirit magic and things devolve into somewhat generic novel about the dead causing issues. Meanwhile, we literally never see his mother again, meaning that her very existence was to set up the second half of the book, and that’s it. That’s the very definition of cheap writing. Why go to the bother of introducing the characters and setting them up as the bad guys to summarily dismiss them? Why couldn’t Carey have found another towns person to unleash the magic? The book covers the period of Halloween, it would have been easy enough to have dumb kids disturb the dead and it would have felt a lot less forced.
I feel like I’m seeing a real and notable trend in Carey’s books: she creates amazing worlds and sticks some fantastic people in them…and then can’t really figure out where to go from there. The first three Kushiel books all had variations of Phedre being held captive and being used by her captors to varying degrees. The second three Kushiel books used magic to varying degrees of success and here the book really does derail when we lose the characters to focus on the plot. In this case the plot isn’t terrible, it’s just generic. We’ve been there before and it’s just not that interesting and not really what I want to be reading.
That being said, there are some things that I liked: I did like how the relationship between Daisy and Sinclair was handled. It was surprisingly mature and realistic in a genre that tends to go for rom com tropes or endless romantic angst in the ‘will-they-or-won’t-they’ sense. I like how Cody the werewolf is written in such a matter that you know that he is 100% serious when he says he’s going to marry another wolf, and that he’s not just going to toss that aside because Daisy is the heroine. The side characters here for the most part are quite likable, from Stefan and Cooper the Outcasts to the Fabulous Casimir the head of the local coven and dealer of magical knick-knacks. It’s not all perfect . One character gets turned into a vampire (willingly) and the character does a complete 180. I get the motivation behind the heel-toe but it also doesn’t seem believable. At least, not as fast as it occurs.
As much as I complained about series like The Others being a bit too much character driven, I kind of wish that had been the focus here because that’s honestly where she shines. When she gets away from it, you realize how mundane Pemkowet really is, and that’s a shame.
Finally, I did go ahead and read some spoiler-filled reviews of the final book of the trilogy and I’ll just say that it was wince-inducing and the kind of thing that makes me absolutely NOT want to read it. I ignored that feeling during the second Kushiel series and regretted it, I won’t make that same mistake again. I will also mention that the last book keeps up this sense of it being two books in one, as many reviewers stated that the first and second half of the book don’t feel related, but more like novellas mushed together. That’s not a good sign. As comparatively short as the books are, she should be able to manage a single plot all the way through.
Verdict: A weak Borrow It – if you like the world, there’s still something here for you, but maybe not as much as you might like.