Hexed (The Iron Druid Chronicles #2) – Kevin Hearne

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Summary:

Atticus O’Sullivan, last of the Druids, doesn’t care much for witches. Still, he’s about to make nice with the local coven by signing a mutually beneficial nonaggression treaty—when suddenly the witch population in modern-day Tempe, Arizona, quadruples overnight. And the new girls are not just bad, they’re badasses with a dark history on the German side of World War II.

With a fallen angel feasting on local high school students, a horde of Bacchants blowing in from Vegas with their special brand of deadly decadence, and a dangerously sexy Celtic goddess of fire vying for his attention, Atticus is having trouble scheduling the witch hunt. But aided by his magical sword, his neighbor’s rocket-propelled grenade launcher, and his vampire attorney, Atticus is ready to sweep the town and show the witchy women they picked the wrong Druid to hex.

Review:

In some ways, Hexed feels like it ought to be a continuation of Hounded, like it is finishing the set-up work that the first book started. Why? It now feels like the players of this world are fully in place: we know that the Morrighan and Brighid will likely spar over the course of the series. We now know which witches will be at his side, and which witches he’ll be sparring with sporadically over the course of the series, and so on.

Why? The first third of the book feels like filler.

We get some fun character interactions, and Hearne is setting up some characters that will become important later in the series, but it’s so insignificant to the plot that none of this story is mentioned in the synopsis at all. Worse still, you could take this all out and have the story basically work as is with very few, very marginal changes. Not helping matters is that this book barely clocks 200 pages without it, it basically NEEDS to be in here to justify calling it a novel. To me, that is the very definition of filler.

But once I got past that, I enjoyed the book. I like the world that Hearne is creating and Atticus is a very likable figure. The world is unique enough and the humor of the first book is still there and if you’re looking for a more action-centric series, this will certainly fit the bill.

I think at this point I expected to be more sold on the series than I am. Will I pick up Hammered at some point? Probably. Do I feel in any rush to do so? Not really.

That said, I completely get why this series is as popular as it is though, and I do think that if you liked the first book you should give this second one a chance.

Verdict: Borrow It

Available: Now

Night Watch (Watch #1) – Sergei Lukyanenko

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Summary:

Others. They walk among us. Observing.

Set in contemporary Moscow, where shape shifters, vampires, and street-sorcerers linger in the shadows, Night Watch is the first book of the hyper-imaginative fantasy pentalogy from best-selling Russian author Sergei Lukyanenko.

This epic saga chronicles the eternal war of the “Others,” an ancient race of humans with supernatural powers who must swear allegiance to either the Dark or the Light. The agents of the Dark – the Night Watch – oversee nocturnal activity, while the agents of the Light keep watch over the day. For a thousand years both sides have maintained a precarious balance of power, but an ancient prophecy has decreed that a supreme Other will one day emerge, threatening to tip the scales. Now, that day has arrived. When a mid-level Night Watch agent named Anton stumbles upon a cursed young woman – an uninitiated Other with magnificent potential – both sides prepare for a battle that could lay waste to the entire city, possible the world. With language that throbs like darkly humorous hard-rock lyrics about blood and power, freedom and responsibility, Night Watch is a chilling, cutting-edge thriller, a pulse-pounding ride of fusion fiction that will leave you breathless for the next installment.

Review:

This is one of those books where the things that make it interesting also make it frustrating.

It is a refreshing change to read a story about a man who is not the hero and can never be the hero. It is also depressing when you are constantly being reminded that he is nothing but a pawn, knows it, hates it, and yet mostly accepts it because he sees little alternative.

There’s just something inherently depressing about this world; so much so that it makes it hard to keep a vested interest in the characters.

The book is not aided by a translation that, while assuredly faithful to the original as it can be, reads as very stilted as if the translator doesn’t understand that the meter and rhythms of the original language are only a hindrance here. There was nothing gained by refusing to soften the harshness of the style, is all.

Finally, the fact that this is not one story, but three shorts means that this feels like a loose collection of shorts that feel disconnected and only makes it that much harder to really ever gain any empathy for anyone.

This is one of those books you almost read out of academic interest because it feels so far removed from American urban fantasy. I’m not sad that I read it, but I also know I have no interest of looking at any of the other books in the series.

Verdict: Borrow it. This is very much a Your Mileage May Vary kind of book that’s hard to recommend at full price.

Available: Now

 

Kitty and the Midnight Hour (Kitty Norville #1) – Carrie Vaughn

If there’s one way to get me to buy a book that I otherwise hadn’t gotten around to buying it’s this: have the author be signing at an event that I’m already at. This series has been on my radar for a while, and when I realized that Carrie was going to be at Wonder Con the day I was there, I finally bit the bullet and dove in, so let’s take a look.

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Summary:

Kitty Norville is a midnight-shift DJ for a Denver radio station – and a werewolf in the closet. Her new late-night advice show for the supernaturally disadvantaged is a raging success, but it’s Kitty who can use some help. With one sexy werewolf-hunter and a few homicidal undead on her tail, Kitty may have bitten off more than she can chew?

Review:

Kitty and the Midnight Hour is one of those books that’s fairly satisfying to read as you go along, but when I started to think about it, it just left me feeling vaguely dissatisfied. Let’s break it down:

First off, the conceit that Kitty is a “raging success” feels incredibly paper thin. Here she is, on NPR, in Denver, with a show that airs at midnight in a world where vampires and werewolves aren’t out of the closet and she’s playing human. Why would this show attract anyone other than the local geeks? It’s inferred that all these people open to her because she’s easy to talk to, but being easy to talk to and suddenly talking about the problems you have as a vampire are two very different scenarios. And then even on top of that, it’s like within what a month or two she’s suddenly in syndication? Things just don’t work that fast! To be fair, this is where suspension of disbelief comes in, and it’s easy enough to do. I just hate it when books need hand waving to set up the world, and I feel like this is what that is.

Along those lines, this world and the people that live in it just feel underdeveloped. No one outside of the obvious bad guys has any real personality to speak of. I can’t tell you anything remarkable about the werewolf hunter other than he hunts vampires. Rick the vampire likes to slink in and out of the shadows. T.J. is a wolf that is supposedly her friend, but doesn’t seem to do anything other than chastise her for not falling in line with the demands of her Alpha. The vampire characters just feel generic vampire cutouts complete with the token “vampire still dressed in the wrong century” cliche. Kitty herself doesn’t even that rounded or developed. She’s mostly likable, but there’s literally nothing in this book that isn’t directly tied to the main plot so we have no time to flesh her out or have her grow.

Well, I take it back. There is some growth, but it’s not really her. It’s her Wolf. And yes, it’s referred to as Wolf in the book. Remember how Anastasia in Fifty Shades of Gray constantly referred to her Inner Goddess? It’s kind of like that. Not only does she call her Wolf, but sections in which she shifts are done by having her talk about herself in the third person. The unfortunate thing about this is that all the growth in the book seems to be done by her wolf. It’s the wolf that goes from submissive to angry and showing signs of eventually being Alpha. Even more unfortunately, not only does it feel like it robs Kitty of that growth, it makes it feel like it’s another entity entirely that Kitty has no agency over.

Case and point: the current Alpha of her pack is a real sleeze ball who sleeps with whatever females in the pack that he wants to, more or less because he can. Throughout the book the wolf basically rolls over and opens her legs and feels happy because…submissive? It’s like the book forgets that they aren’t wolves, they’re werewolves, which means there is a human aspect and there should be free will and agency. Not only does this rob Kitty of growth, but it just adds this creepy layer to her having sex with Carl that makes it feel dangerously close to rape.

All told, this book just didn’t work for me. The genre has been around long enough now that there are just better options out there whether you prefer something character driven, rich worlds, or more intriguing plots. Unlike some of the other series I’m giving a chance, right now I can safely say I won’t be picking up Kitty Goes to Washington.

Verdict: Skip It

Available: Now

Succubus Blues (Georgina Kincaid #1)

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Summary:

When it comes to jobs in hell, being a succubus seems pretty glamorous. A girl can be anything she wants, the wardrobe is killer, and mortal men will do anything just for a touch. Granted, they often pay with their souls, but why get technical?

But Seattle succubus Georgina Kincaid’s life is far less exotic. At least there’s her day job at a local bookstore–free books; all the white chocolate mochas she can drink; and easy access to bestselling, sexy writer, Seth Mortensen, aka He Whom She Would Give Anything to Touch but Can’t.

But dreaming about Seth will have to wait. Something wicked is at work in Seattle’s demon underground. And for once, all of her hot charms and drop-dead one-liners won’t help because Georgina’s about to discover there are some creatures out there that both heaven and hell want to deny.

After Vampire Academy left me cold (sorry, Rose/Dimitri still kinda wigs me out) and after the major problems I had with Age of  X (and especially The Immortal Crown), I was a bit weary of picking this one up. Luckily, and perhaps because it is one of her older series, I didn’t have any of the issues I had with the other books.

Georgina is a very likable. She’s just the right amount of jaded that it doesn’t feel like it’s trendy or edgy, just naturally world-weary and the backstory of how she became a succubus has just the right note of tragedy. Her reasons for not dating seem genuine, and I think most bookworms can easily relate to the way that she’s in absolute love with Seth Mortensen’s books. I also like that she’s got no connection to police work, detective work or bartending which is always a bonus (okay, I’ll admit book store form of retail is almost a trope in of itself, but it doesn’t bother me as much here).

Really, all told this is quite a fun, basic, urban fantasy novel. My only real gripe is I picked out the bad guy from the moment they met. I was questioning whether you were supposed to, but considering a review for the last book in the series mentioned clue-by-fours, I’m going to go ahead and say that yes, yes you were. Thankfully, it didn’t ruin the fun by having it spoiled, and yet I don’t know that it was strictly necessary either.

As an aside: though there are one or two sex scenes, this book is pretty bloodless as far as violence goes. If you want a cleaner series, this is a good place to look.

All told, I’m not upset I broke my no additional UF series rule. I’ll give the next one a look and see where it goes from there.

Plus, as of 3/23, the book is on sale for $1.99 for Kindle. Hard to beat it at that price!

Verdict: Buy it  if still on sale or if you’re a big UF fan. Otherwise, borrow it. It may be a bit too traditional for some to hold your interest.

Available: Now.

 

Hounded (Iron Druid #1) – Kevin Hearne

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Summary:

Atticus O’Sullivan, last of the Druids, lives peacefully in Arizona, running an occult bookshop and shape-shifting in his spare time to hunt with his Irish wolfhound. His neighbors and customers think that this handsome, tattooed Irish dude is about twenty-one years old—when in actuality, he’s twenty-one centuries old. Not to mention: He draws his power from the earth, possesses a sharp wit, and wields an even sharper magical sword known as Fragarach, the Answerer.

Unfortunately, a very angry Celtic god wants that sword, and he’s hounded Atticus for centuries. Now the determined deity has tracked him down, and Atticus will need all his power—plus the help of a seductive goddess of death, his vampire and werewolf team of attorneys, a bartender possessed by a Hindu witch, and some good old-fashioned luck of the Irish—to kick some Celtic arse and deliver himself from evil.

Review:

So both Seven Black Diamonds and Black City Saint had the fae. Both Black City Saint and Hounded have an Oberon. I gotta say, all this over-lap is more than a little trippy. But you know, it’s okay.

Hounded is awesome.

On my list of Urban Fantasy series to try this year (The Elemental Assassin is also on this list), I was not disappointed. While the short I read last year left me on the fence, this book obliterated any doubts I had about this series. The premise is just a blast: a 2100 year-old Druid that all the Irish gods (and a few non-Irish ones to boot) like to talk to and use in various ways (fighting, sexy times, you name it) whether or not he’s quite aware of the broader plot at hand.

The writing here is nice and light and frothy. No matter how bloody the fighting gets (and it does get bloody), the story never takes it self too seriously. It’s not so joking as to undermine the gravity of the story, but it’s very much that vibe of using humor to take the edge off, to stop it from being too dark. The aforementioned Oberon (his wolfhound) really helps in that respect as does the fact that his attorneys are literally vampires and werewolves.

The other thing that helps is that everyone is full of personality. The humans (gotta love the Widow MacDonagh, whom I’d love to have a drink with sometime), the goddesses, the witches. No one here is left to be a cut-out, except for maybe the cops that are touching the story at a glance.

Even though this is very much episodic Urban Fantasy it just feels fresh and fun – exactly what I was seeking and it may be just what you need as a palette cleanser as well.

The eighth book was just released this year. I look forward to making a dent in this series.

Verdict: Buy It

Available: Now

Touch the Dark (Cassie Palmer #1) – Karen Chance

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Summary:

Cassandra Palmer can see the future and communicate with spirits—talents that make her attractive to the dead and the undead. The ghosts of the dead aren’t usually dangerous; they just like to talk…a lot.The undead are another matter.

Like any sensible girl, Cassie tries to avoid vampires. But when the bloodsucking mafioso she escaped three years ago finds Cassie again with vengeance on his mind, she’s forced to turn to the vampire Senate for protection.

The undead senators won’t help her for nothing, and Cassie finds herself working with one of their most powerful members, a dangerously seductive master vampire—and the price he demands may be more than Cassie is willing to pay….

Review:

2015  really rekindled my love of Urban Fantasy and when I finished catching up on the Alex Verus series I knew that I wanted to find another 1 or 2 series to read my way through in 2016. I was planning on starting with Hearne’s The Iron Druid Chronicles but when I was browsing my local Barnes and Nobles the other day, I spotted Reap the Wind on the shelves and decided to give this series a chance first instead.

At first blush, Touch the Dead immediately feels like an Anita Blake-inspired world. The structure of vampire politics, the plethora of vampires that somehow manage to incorporate skin-tight leather into old school styles and so on. It felt like a bit of a homecoming. My concern was whether the book could do something with its familiar trappings, and it’s a bit touch and go at first. There’s a lot of exposition dumping at the start of the book, and almost all the most powerful figures are famous in human history as well. Although this does provide for one of the most amusing explanations of Shakespeare-was-not-really-Shakespeare out there, it feels clunky and unnecessary. The Consul would have been just as powerful and intimidating, even if she hadn’t been Cleopatra.

Then the book began to warm me over. It doesn’t play coy with what Cassandra’s heritage is, nor does it threaten to drag out sexual tension across a number of books. There are some really sexy scenes here too, something I never thought Hamilton did terribly well.

Cassandra’s powers are interesting and provided they don’t get used to deus-ex-machina her way out of everything could provide for some interesting story fodder down the road. Plus, the whole sexuality element of her powers leads to a pretty funny reveal towards the end of the book and that Cassie is allowed to actually have her sexuality with zero bull attached to it is refreshing.

While I’m not entirely sure if there is going to be enough story to give me enough momentum to keep reading is a bit up in the air.I noticed that in reading synopsis for future books it sounds like they will be dragging out a certain plot line over a number of books which does make me weary.

Still, I do think this series has enough promise to at least give book two a go: it worked out well for Alex Verus so why not Cassie Palmer too?

Verdict: Borrow It

Available: Now

Manners & Mutiny (Finish School #4) -Gail Carriger

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Summary:

If one must flirt…flirt with danger.

Lessons in the art of espionage aboard Mademoiselle Geraldine’s floating dirigible have become tedious without Sophronia’s sweet sootie Soap nearby. She would much rather be using her skills to thwart the dastardly Picklemen, yet her concerns about their wicked intentions are ignored, and now she’s not sure whom to trust. What does the brusque werewolf dewan know? On whose side is the ever-stylish vampire Lord Akeldama? Only one thing is certain: a large-scale plot is under way, and when it comes to fruition, Sophronia must be ready to save her friends, her school, and all of London from disaster—in decidedly dramatic fashion, of course.

What will become of our proper young heroine when she puts her years of training to the test? Find out in this highly anticipated and thrilling conclusion to the New York Times bestselling Finishing School series!

Review:

Finishing this series is bittersweet. Without a question, I enjoyed one last romp with Sophronia. Without a question, I was ready for this to be the last romp and I’m not necessarily sad to see the series end.

Sophronia went full on Bond in this book and while fun, it cause me to side-eye the book a book: I enjoyed the social scenes much more, but I suppose it makes sense that this book was so action heavy: it was the last one and the dastardly plan of the Pickleman had to come to fruition.  Thankfully, the action wasn’t the sole focus. There were nice scenes between our heroine and Soap and I admire Carriger sticking to her guns about keeping them together, even while admitting that it was going to be an uphill battle.

Finally, all of Carriger’s stylistic hallmarks are here. I didn’t find them as annoying as I did in Prudence, which I attribute to having a greater emotional investment in the characters. That said, it doesn’t really make me want to give it another shot because there is an inherent level of absurdity in some of the narration and it’s just beyond what I’m willing to accept.

Ultimately, I’m still done with Carriger, but I am glad that I read – and finished – this series because I had fun, and if someone was going to give her a go for the first time, this would be where I’d suggest starting.

Verdict: Buy It – a fun end to a fun series.

Available Now.

Review: City of Light (Outcast #1) – Keri Arthur

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Summary:

When the bombs that stopped the species war tore holes in the veil between this world and the next, they allowed entry to the Others—demons, wraiths, and death spirits who turned the shadows into their hunting grounds. Now, a hundred years later, humans and shifters alike live in artificially lit cities designed to keep the darkness at bay….

As a déchet—a breed of humanoid super-soldiers almost eradicated by the war—Tiger has spent her life in hiding. But when she risks her life to save a little girl on the outskirts of Central City, she discovers that the child is one of many abducted in broad daylight by a wraith-like being—an impossibility with dangerous implications for everyone on earth.

Because if the light is no longer enough to protect them, nowhere is safe…

Review:

There’s no way around this: City of Light is a disappointment. The concept is cool, but it feels like that: just a concept, and a wasted one at that.

We meet no humans. We see no shifters other than Tiger actually shift. Tiger is supposedly a lure – a déchet bred to seduce the enemy – but all that seems to mean is that she is a walking sack of hormones who gets horny when someone with the right DNA walks by with no input from her own emotions at all. What this ultimately feels like is a world where Tiger has plot convenient powers because the plot demands them, leaving the actual differences between humans and shifters and the déchet as little more than a thinly veiled allegory about racism. Outside of one instance where Tiger shifted her form, there is no reason for her to be a shifter. Outside of her ability to become one with the shadows, there is no reason for her to be part vampire. She could have just been a witch or a psychic and it would have had the same impact on the story.

Also, can I say that her constantly referring to the ghosts as her “little ones” wound up being a bit more creepy than endearing?

The other thing that didn’t really work for me was the fact that the people that she is roped into helping ultimately all come off as complete and utter assholes. The cause may be a good one, but they’re basically blackmailing her throughout the book directly and indirectly into having her help. Maybe this wouldn’t have been such a bad thing if Tiger herself had more personality, but for me she just felt flat on the page.

I don’t think the book is a complete failure – the story was at least interesting enough that I read through to the end as opposed to just setting it aside – but the things that should have made this book stand out and shine just fell completely flat. The ending of this book is a complete and obvious set up for a sequel, and I have to say that I have no real desire to actually keep an eye out for it, let alone read it. I just don’t care.

Based on the early reviews upon Goodreads, this book seems to be developing a solid fanbase, but I am just not one of them. The only thing worse than a book devoid of any fresh ideas at all is one that has them but squanders them.

City of Light just did not work and I can’t recommend it.

Verdict: Skip It

Available: January 5

Autumn Bones (Agent of Hel #2) – Jacqueline Carey

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Summary:

New York Times bestselling author Jacqueline Carey returns to the curious Midwest tourist community where normal and paranormal worlds co-exist—however tenuously—under the watchful eye of a female hellspawn……

Fathered by an incubus, raised by a mortal mother, and liaison to the Pemkowet Police Department, Daisy Johanssen pulled the community together after a summer tragedy befell the resort town she calls home. Things are back to normal—as normal as it gets for a town famous for its supernatural tourism, and presided over by the reclusive Norse goddess Hel.

Not only has Daisy now gained respect as Hel’s enforcer, she’s dating Sinclair Palmer, a nice, seemingly normal human guy. Not too shabby for the daughter of a demon. Unfortunately, Sinclair has a secret. And it’s a big one.

He’s descended from Obeah sorcerers and they want him back. If he doesn’t return to Jamaica to take up his rightful role in the family, they’ll unleash spirit magic that could have dire consequences for the town. It’s Daisy’s job to stop it, and she’s going to need a lot of help. But time is running out, the dead are growing restless, and one mistake could cost Daisy everything……

Review:

I’ll let you in on a secret: writing a year-end Best of list is harder than it seems. Oh sure, there are a few books that you know will be on the list without a doubt, but for every one of those, there are one or two where you think that maybe will be on there, but then with hindsight you realize that while that book was good it wasn’t as great as you thought which makes rounding out that list tough. And that’s where I’m at now: trying to round out my list as we rapidly approach the end of the year. I bring this up because for a while I was debating putting Dark Currents on the list. I liked the world building and the characters and was excited to read this. That excitement held through the first half of the book and then eventually petered out. Is that previous book still worthy of placement if the series falls off almost immediately?

My problem with this book comes from its bi-plot nature: the first book which focuses on Daisy’s relationship with Sinclair and general duties as Hel’s Enforcer. Come midpoint, we finally meet Sinclair’s mother, she unleashes said spirit magic and things devolve into somewhat generic novel about the dead causing issues. Meanwhile, we literally never see his mother again, meaning that her very existence was to set up the second half of the book, and that’s it. That’s the very definition of cheap writing. Why go to the bother of introducing the characters and setting them up as the bad guys to summarily dismiss them? Why couldn’t Carey have found another towns person to unleash the magic? The book covers the period of Halloween, it would have been easy enough to have dumb kids disturb the dead and it would have felt a lot less forced.

I feel like I’m seeing a real and notable trend in Carey’s books: she creates amazing worlds and sticks some fantastic people in them…and then can’t really figure out where to go from there. The first three Kushiel books all had variations of Phedre being held captive and being used by her captors to varying degrees. The second three Kushiel books used magic to varying degrees of success and here the book really does derail when we lose the characters to focus on the plot. In this case the plot isn’t terrible, it’s just generic. We’ve been there before and it’s just not that interesting and not really what I want to be reading.

That being said, there are some things that I liked: I did like how the relationship between Daisy and Sinclair was handled. It was surprisingly mature and realistic in a genre that tends to go for rom com tropes or endless romantic angst in the ‘will-they-or-won’t-they’ sense. I like how Cody the werewolf is written in such a matter that you know that he is 100% serious when he says he’s going to marry another wolf, and that he’s not just going to toss that aside because Daisy is the heroine. The side characters here for the most part are quite likable, from Stefan and Cooper the Outcasts to the Fabulous Casimir the head of the local coven and dealer of magical knick-knacks. It’s not all perfect . One character gets turned into a vampire (willingly) and the character does a complete 180. I get the motivation behind the heel-toe but it also doesn’t seem believable. At least, not as fast as it occurs.

As much as I complained about series like The Others being a bit too much character driven, I kind of wish that had been the focus here because that’s honestly where she shines. When she gets away from it, you realize how mundane Pemkowet really is, and that’s a shame.

Finally, I did go ahead and read some spoiler-filled reviews of the final book of the trilogy and I’ll just say that it was wince-inducing and the kind of thing that makes me absolutely NOT want to read it. I ignored that feeling during the second Kushiel series and regretted it, I won’t make that same mistake again. I will also mention that the last book keeps up this sense of it being two books in one, as many reviewers stated that the first and second half of the book don’t feel related, but more like novellas mushed together. That’s not a good sign. As comparatively short as the books are, she should be able to manage a single plot all the way through.

Verdict:  A weak Borrow It – if you like the world, there’s still something here for you, but maybe not as much as you might like.

Available: now

Curiosity Quills Serial Publishing and a quick DNF review of The Vampire Circus by Rod Kierkegaard, Jr.

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Summary:

Note: I normally put a book’s Goodreads synopsis here, but at almost 600 words and a full page in length it’s just too long for what I have planned to say. You can read it here if you so desire, but I hope going forward that he learns that less is more as this is less a tease and more the outline of the whole book.

Review:

I requested the first three parts of this novel for two reasons: the story did have me kind of intrigued and more importantly, I was curious to see how Curiosity Quills was handling the release of these serialized stories.

As far as the serial aspect goes,so far, I like what I see. In terms of pricing, it’s $1.99 per part which assuming it’s five parts keeps it within my personal preference of $10 for a full title and you get a novella’s worth of content for that money, which is inline of what I was expecting. The installments do end at good cliffhangers, which is nice to see. While I don’t know if I’ll ever be a fan of serial printing, I do feel like the publisher is handling it well, and I’d feel safe recommending them if you want to check out serialized novels, over say dipping your toes at Amazon where too many self-published titles charge you too much for too little story.

As for the story itself?

Eh.

I’m going to chalk this up as not being my thing. Too many stories going on with characters I’m not necessarily caring for and I have immediate knee-jerk reaction to any STD resulting in vampirism (bacteria don’t work that way!) and the writing isn’t otherwise strong enough to make me over come it. There is probably an audience for this book (I’d say western fans maybe, as there’s a lot of that vibe going on) but I don’t think I’m it.

Verdict: Fan of how the publisher is putting out its serials, but the book itself is a DNF for me.

Available: First three parts are available now.