For more than sixteen hundred years, Nick Medea has followed and guarded the Gate that keeps the mortal realm and that of Feirie separate, seeking in vain absolution for the fatal errors he made when he slew the dragon. All that while, he has tried and failed to keep the woman he loves from dying over and over.
Yet in the fifty years since the Night the Dragon Breathed over the city of Chicago, the Gate has not only remained fixed, but open to the trespasses of the Wyld, the darkest of the Feiriefolk. Not only does that mean an evil resurrected from Nick’s own past, but the reincarnation of his lost Cleolinda, a reincarnation destined once more to die.
Nick must turn inward to that which he distrusts the most: the Dragon, the beast he slew when he was still only Saint George. He must turn to the monster residing in him, now a part of him…but ever seeking escape.
The gang war brewing between Prohibition bootleggers may be the least of his concerns. If Nick cannot prevent an old evil from opening the way between realms…then not only might Chicago face a fate worse than the Great Fire, but so will the rest of the mortal realm
So in the last week I reviewed a historical fantasy set during Prohibition a YA fantasy (supposedly) about the Fey. So this time, I’d thought I’d mix things up and review a fantasy about the Fey set during Prohibition!
Man, I wish I could take credit for the timing on this, but funny how “to be read lists” just work out that way.
So anyway. Black City Saint is a book with interesting ideas and lackluster presentation. Nick Medea was once known as St. George (not really a spoiler since it’s more or less told you at the start of Chapter 2) – yes, the St. George that slew the dragon. It just so happens that the dragon was quite real and guarding the Gate that separates the Fae realm from our our own. So through a bit of magic, he’s now immortal and is tasked with making sure the Fae stay out – especially the particularly nasty Oberon – from trying to take things over which would eventually spell the end of mankind.
It’s a cool idea, but the execution left something to be desired. The book is written in a first person point of view but it sounds very stiff. While it does make sense for the book to be in this point of view, it comes off as if Knaack just isn’t comfortable with it and as a result, neither are the readers.
I should also mention that this is one of those books that’s mostly action, with Nick dashing from set piece to set piece. It was kind of nice seeing Chicago being used as more of a character, because the actual characters fell a little flat, all of them pretty much much having only one trait to them. Nick was devoted to his duties. He had some Feirie-realm helpers that seemed almost slavishly devoted to Nick. Detective Cortez was the One Straight Cop Amongst An Endless Sea of Corrupt Ones and the current reincarnation of Cleolinda was pretty much an annoying damsel-in-distress (I lost track of how many times she said variations of”You’re not leaving me here!) for the majority of the book until she suddenly took a few levels in badass towards the very end.
All told, this book has some interesting ideas let down by some so-so presentation. If you like action oriented books and the concept intrigues you, you might want to give it a look. If you need emotional engagement to get into a book, keep looking.
Verdict: Borrow it
Available: March 1