For the first time since we launched Bitten by Kelley Armstrong, Random House Canada is thrilled to announce the debut of a new urban fantasy series. Kristi Charish’s The Voodoo Killings introduces Kincaid Strange, not your average voodoo practitioner…
For starters, she’s only 27. Then there’s the fact that she lives in rain-soaked Seattle, which is not exactly Haiti. And she’s broke. With raising zombies outlawed throughout the continental USA, Kincaid has to eke out a living running seances for university students with more money than brains who are desperate for guitar lessons with the ghost of a Seattle grunge rocker–who happens to be Kincaid’s on-again, off-again roommate.
Then a stray zombie turns up outside her neighbourhood bar: Cameron Wight, an up-and-coming visual artist with no recollection of how he died or who raised him. Not only is it dangerous for Kincaid to be caught with an unauthorized zombie, she soon realizes he’s tied to a spate of murders: someone is targeting the zombies and voodoo practitioners in Seattle’s infamous Underground City, a paranormal hub. When the police refuse to investigate, the City’s oldest and foremost zombie asks Kincaid to help. Raising ghosts and zombies is one thing, but finding a murderer? She’s broke, but she’s not stupid.
And then she becomes the target…As the saying goes, when it rains it pours, especially in Seattle.
Normally, I’m not much of a zombie person. Or at least, I’m not really much of a horror zombie kidn of person. The apocalypse (which usually comes with zombies) doesn’t interest me and beyond serving as a metaphor for death that is nipping at ones heels, they just aren’t that interesting of a normal paranormal creature to me.
Kristi Charish’s Voodoo Killings has made me a fan, of at least her special brand of the classic creature.
Kincaid Strange lives in a world where zombies, ghosts and poltergeists are all quite real, and the latter common place enough that they even have their own enclave hidden beneath the streets of Seattle. Thanks to a police captain (that is the Mayor’s sister’s husband) that somehow believes that it’s your own damn fault if a ghost comes to visit, Kincaid’s primary means of living – raising zombies for things like will disputes and helping the police with preternatural crimes – was outlawed and now she’s stuck doing seances with the Kurt Cobain analogue of Nate Cade.
Then she’s called to do something about a zombie that randomly shows up outside the bar of a good friend and it all goes to pot from there.
If it sounds like their are vague similarities to Anita Blake (the zombies for wills, helping the police) there are, but that’s about the full extent of it. Kincaid isn’t a medium, she has no innate *need* to raise them like Anita does, and she’s very much on the outs with the police in this book, not only because of the outlaw on her craft but because one of the cops happens to also be an ex. Kincaid is very much her own woman and this world is very much its own place.
Like Charish’s other protagonist, Owl, Kincaid is a bit of loner in this book too, but that seems to be more by choice as opposed to just pissing everyone off the way that Owl has a knack for. Still, the book has some rather interesting side characters from the aforementioned ghost Nate, to the century+ zombie of Lee Ling who runs the Seattle underground, to the aforementioned ex boyfriend where there’s some nice push and pull action between the pair and even a bit of jealousy. Ultimately, for someone who doesn’t have a lot of friends, she still feels a heck of a lot more human than a lot of urban fantasy protagonists can often come off as.
As far as Voodoo goes Charish kept her discussion of Voodoo to the actual Otherside – something that obviously none of us are going to have any experience with, so that it can be whatever she wants it to be. Voodoo/Vaundun is a real religion and it would have been easy to go with the obvious stereotypes, and she didn’t. It’s very much the kind of touch that I personally appreciate when people are putting their own spins on real-world religions and just a bit of an added bonus for me.
Finally, I’d be remiss if I didn’t remark on the design of this book. From the hand-drawn appearing title page, to the mirrored page numbers, mirrored author’s name and the snakes along each page, the team at Random House CA put a lot of love into this book and shows because rarely does a book get this much attention for such small details. It’s fantastic.
My only complaint about this book is that right now this book has only been released in Canada, and as far as I can tell, there aren’t any plans for US distribution yet. I really hope that changes as this feels like another fresh entry into one of the most tropey fantasy sub-genres. Do yourself a favor and pick this up from Amazon.ca. Hopefully we can get demand up high enough so more can read this awesome book.
Verdict: Buy It
Available: Now, at Canadian retailers only
P.S. Though not technically labeled as a series, the ending is absolutely setting up a second book. It makes me think that it will only actually become a series if sales justify it, so please take a look at this, I’d love to read more!