Briar Queen (Night and Nothing #2) – Katherine Harbour



The dark, moody, and mystical fantasy begun in Thorn Jack, the first novel in the Night and Nothing series, continues in this bewitching follow up–an intriguing blend of Twilight, Buffy the Vampire Slayer, Alice in Wonderland, and A Midsummer Night’s Dream–in which Finn Sullivan discovers that her town, Fair Hollow, borders a dangerous otherworld . . .

Serafina Sullivan and her father left San Francisco to escape the painful memory of her older sister Lily Rose’s suicide. But soon after she arrived in bohemian Fair Hollow, New York, Finn discovered a terrifying secret connected to Lily Rose. The placid surface of this picture-perfect town concealed an eerie supernatural world–and at its center, the wealthy, beautiful, and terrifying Fata family.

Though the striking and mysterious Jack Fata tried to push Finn away to protect her, their attraction was too powerful to resist. To save him, Finn–a girl named for the angels and a brave Irish prince–banished a cabal of malevolent enemies to shadows, freeing him from their diabolical grip.

Now, the rhythm of life in Fair Hollow is beginning to feel a little closer to ordinary. But Finn knows better than to be lulled by this comfortable sense of normalcy. It’s just the calm before the storm. For soon, a chance encounter outside the magical Brambleberry Books will lead her down a rabbit hole, into a fairy world of secrets and legacies . . . straight towards the shocking truth about her sister’s death.

Lush and gorgeously written, featuring star-crossed lovers and the collision of the magical and the mundane, Briar Queen will appeal to the fans of Cassandra Clare’s bestselling Mortal Instruments series and Melissa Marr’s Wicked Lovely


Look at me! I’m doing that thing where you review two books in a series back to back because you enjoyed the first one so much! And like the last time I did this, the second book wasn’t quite as good as the first.

First a caveat: do not try to read this without having read Thorn Jack as this book picks up almost immediately after the last and heavily references it – you may want to do a reread first if it’s been a while.

That out of the way, let’s get to the heart of why I don’t think Brian Queen works quite as well the first novel: the action leaves our Earth and move to the land of the fae. On the one hand, the creativity that I loved in the first book remains. On the other hand, I think it was more interesting watching Finn and her friends navigate figuring out what is going on than this more action-oriented books. That book had a lingering sense of dread that nothing was quite right, but you couldn’t put a finger on what that was. Here you know nothing is right and that certainty does a larger difference than you may think.

I also think that by having the focus being more on the Fata than the humans doesn’t quite work. On the one hand, it expands the mythology greatly. On the other hand, you just don’t care about the Fata the way you do for Finn and her friends, so it’s harder to get invested.

Night and Nothing is a trilogy and I already have the DRC of the final book in my possession. While I’ll definitely be finishing off the series, I’ll be honest I’m not entirely sure that I would if I didn’t. The series just lost a little bit of that magic this time around. I hope that it can be found in the final book.

Verdict: Borrow It

Available: Now

Thorn Jack (Night & Nothing #1) – Katherine Harbour



They call us things with teeth. These words from Lily Rose Sullivan the night of her death haunts her seventeen-year-old sister, Finn, who has moved with her widowed father to his hometown of Fair Hollow, New York. After befriending a boy named Christie Hart and his best friend, Sylvie Whitethorn, Finn is invited to a lakeside party where she encounters the alluring Jack Fata, a member of the town’s mysterious Fata family. Despite Jack’s air of danger and his clever words, Finn learns they have things in common.

One day, while unpacking, Finn finds her sister’s journal, scrawled with descriptions of creatures that bear a sinister resemblance to Jack’s family. Finn dismisses these stories as fiction, but Jack’s family has a secret—the Fatas are the children of nothing and night, nomadic beings who have been preying on humanity for centuries—and Jack fears that his friendship with Finn has drawn the attention of the most dangerous members of his family—Reiko Fata and vicious Caliban, otherwise known as the white snake and the crooked dog.

Plagued with nightmares about her sister, Finn attempts to discover what happened to Lily Rose and begins to suspect that the Fatas are somehow tied to Lily Rose’s untimely death. Drawn to Jack, determined to solve the mystery of her sister’s suicide, Finn must navigate a dangerous world where nothing is as it seems.


Before I get this review going, have some music to go with it: it’s from a feature-length anime called Le Portrait de Petit Cossette, which had a lovely gothic atmosphere running throughout, much like this book.

Thorn Jack is dark fantasy telling the story of Finn and how she’s slowly brought into the world of the Fata’s and her attempts to get back out – life and sanity intact. One of the things that Harbour does really well is that you never feel safe in this world. Never once do you ever really buy that Jack is a viable candidate for a boyfriend. We’re not talking about someone like Edward or Angel where they make token protests about not being good for you, but never fully push away their girlfriends either – Jack consistently tries to pull himself away knowing that it isn’t good for either one of them.

His so-called family, the Fatas, is this constant menacing threat. Beautiful, ethereal and deadly, there is every sense that humans are their playthings and nothing more.  These are definitely not the Tinker Bell type of faery.

The prose in this novel is absolutely lovely, and really helps capture that dreamy feel. I have seen some complain about conversations that don’t seem to take logical turns, and I think that’s unfair. Those conversations are deliberately awkward as characters try to avoid conversations they rather not have. There’s also quite a bit of quoted poetry here and it doesn’t feel pretentious, it just fits in well even though it should feel out of place.

Finally, this series is interesting because the series description on Good Reads calls it young adult – but I (and Barnes and Nobles) heartily disagree. That’s not something you see often.

If you like dark fantasy, if you like gothic fantasy, pick this one up. Now that I’ve read it, I absolutely plan to go back and not only make a second go of the second book (which I had to put down because I was simply too lost without having read this one) and quite possibly the third one coming out in 2016. It’s simply lovely.

Verdict: Buy It

Available Now

Stacking the Shelves #12

I’ve apparently started stocking up on DRCs the last few weeks, so what better time to catalog them all. Let’s begin.

eBook purchased by me


The one non-ARC on this list. I did say I’d get around to reading this at the beginning of the year, didn’t I? It’s taken a while, but I’ve finally done it! It’s my next read.

Review copy provided by the publisher


I haven’t read the other Sigma Force novels, but the premise of “Jurassic Park but with humans” has me intrigued.

DRC provided by the publisher through NetGalley and Edelweiss


This batch is really a mixed bag. We have YA Paranormal Romance (These Vicious Masks), YA Paranormal (Divah), an anthology (I’ll let you guess which one), two third books (Nettle King and Angelus) and the preview to one of the most anticipated YA titles of 2016. I’m honestly kind of worried about that last one – the hype is so strong I’m already seek of seeing it and I’m hoping that it doesn’t ruin my enjoyment of the book. We shall see.

So what about you? What are you adding to your shelves?


Made to Kill – Adam Christopher



It was just another Tuesday morning when she walked into the office–young, as I suspected they all might be, another dark brunette with some assistance and enough eye black to match up to Cleopatra. And who am I? I’m Ray, the world’s last robot, famed and feared in equal measure, which suits me just fine–after all, the last place you’d expect to find Hollywood’s best hit man is in the plain light of day.

Raymond Electromatic is good at his job, as good as he ever was at being a true Private Investigator, the lone employee of the Electromatic Detective Agency–except for Ada, office gal and super-computer, the constant voice in Ray’s inner ear. Ray might have taken up a new line of work, but money is money, after all, and he was programmed to make a profit. Besides, with his twenty-four-hour memory-tape limits, he sure can keep a secret.

When a familiar-looking woman arrives at the agency wanting to hire Ray to find a missing movie star, he’s inclined to tell her to take a hike. But she had the cold hard cash, a demand for total anonymity, and tendency to vanish on her own.

Plunged into a glittering world of fame, fortune, and secrecy, Ray uncovers a sinister plot that goes much deeper than the silver screen–and this robot is at the wrong place, at the wrong time.

Made to Kill is the thrilling new speculative noir from novelist and comic writer Adam Christopher


Noir + robots.

It sounds awesome. It is awesome.

Ray Electromatic is a really fun concept of a character. He feels like a classic hard-boiled detective that just happens to weigh a ton and has to be careful about sitting on bar stools so he doesn’t crush them. Ray’s accompanied by his handler Ada, another robot whose sense for profit would make a Ferengi blush. They make a good team and it’s nice seeing her being the brains of the operation, as opposed to just being a secretary or receptionist.  I will also say that I loved the backstory of how they came to be the only robots left around. It’s an explanation that makes absolute sense and plays on our fears of automation technologies quite well.

The story itself is a fun mix of Hollywood (done justice here), Russians and secret plots that probably would have held appeal to the Soviets if only the technologies had ever come into existence. One of the things I especially enjoyed is how radiation played a large part of the story, but its detection made perfect sense – a good use of the robotic nature of our protagonist that shows some forethought on the part of the author: he’s not just a robot to be a robot, the story works <i>because</i> he’s a robot.

Finally, because I usually gripe about brevity in genre, I want to hold this up as an example of brevity done right: world building is complete, Ada and Ray feel fleshed out given the constraints of their nature, and the plotting is tight and moves along at a good clip while feeling fleshed out. It’s just the right length.

This is a well-crafted fun read. If the premise calls to you, pick it up. You will have a good time.

Verdict: Buy It.

Available: Now

Autumn Bones (Agent of Hel #2) – Jacqueline Carey



New York Times bestselling author Jacqueline Carey returns to the curious Midwest tourist community where normal and paranormal worlds co-exist—however tenuously—under the watchful eye of a female hellspawn……

Fathered by an incubus, raised by a mortal mother, and liaison to the Pemkowet Police Department, Daisy Johanssen pulled the community together after a summer tragedy befell the resort town she calls home. Things are back to normal—as normal as it gets for a town famous for its supernatural tourism, and presided over by the reclusive Norse goddess Hel.

Not only has Daisy now gained respect as Hel’s enforcer, she’s dating Sinclair Palmer, a nice, seemingly normal human guy. Not too shabby for the daughter of a demon. Unfortunately, Sinclair has a secret. And it’s a big one.

He’s descended from Obeah sorcerers and they want him back. If he doesn’t return to Jamaica to take up his rightful role in the family, they’ll unleash spirit magic that could have dire consequences for the town. It’s Daisy’s job to stop it, and she’s going to need a lot of help. But time is running out, the dead are growing restless, and one mistake could cost Daisy everything……


I’ll let you in on a secret: writing a year-end Best of list is harder than it seems. Oh sure, there are a few books that you know will be on the list without a doubt, but for every one of those, there are one or two where you think that maybe will be on there, but then with hindsight you realize that while that book was good it wasn’t as great as you thought which makes rounding out that list tough. And that’s where I’m at now: trying to round out my list as we rapidly approach the end of the year. I bring this up because for a while I was debating putting Dark Currents on the list. I liked the world building and the characters and was excited to read this. That excitement held through the first half of the book and then eventually petered out. Is that previous book still worthy of placement if the series falls off almost immediately?

My problem with this book comes from its bi-plot nature: the first book which focuses on Daisy’s relationship with Sinclair and general duties as Hel’s Enforcer. Come midpoint, we finally meet Sinclair’s mother, she unleashes said spirit magic and things devolve into somewhat generic novel about the dead causing issues. Meanwhile, we literally never see his mother again, meaning that her very existence was to set up the second half of the book, and that’s it. That’s the very definition of cheap writing. Why go to the bother of introducing the characters and setting them up as the bad guys to summarily dismiss them? Why couldn’t Carey have found another towns person to unleash the magic? The book covers the period of Halloween, it would have been easy enough to have dumb kids disturb the dead and it would have felt a lot less forced.

I feel like I’m seeing a real and notable trend in Carey’s books: she creates amazing worlds and sticks some fantastic people in them…and then can’t really figure out where to go from there. The first three Kushiel books all had variations of Phedre being held captive and being used by her captors to varying degrees. The second three Kushiel books used magic to varying degrees of success and here the book really does derail when we lose the characters to focus on the plot. In this case the plot isn’t terrible, it’s just generic. We’ve been there before and it’s just not that interesting and not really what I want to be reading.

That being said, there are some things that I liked: I did like how the relationship between Daisy and Sinclair was handled. It was surprisingly mature and realistic in a genre that tends to go for rom com tropes or endless romantic angst in the ‘will-they-or-won’t-they’ sense. I like how Cody the werewolf is written in such a matter that you know that he is 100% serious when he says he’s going to marry another wolf, and that he’s not just going to toss that aside because Daisy is the heroine. The side characters here for the most part are quite likable, from Stefan and Cooper the Outcasts to the Fabulous Casimir the head of the local coven and dealer of magical knick-knacks. It’s not all perfect . One character gets turned into a vampire (willingly) and the character does a complete 180. I get the motivation behind the heel-toe but it also doesn’t seem believable. At least, not as fast as it occurs.

As much as I complained about series like The Others being a bit too much character driven, I kind of wish that had been the focus here because that’s honestly where she shines. When she gets away from it, you realize how mundane Pemkowet really is, and that’s a shame.

Finally, I did go ahead and read some spoiler-filled reviews of the final book of the trilogy and I’ll just say that it was wince-inducing and the kind of thing that makes me absolutely NOT want to read it. I ignored that feeling during the second Kushiel series and regretted it, I won’t make that same mistake again. I will also mention that the last book keeps up this sense of it being two books in one, as many reviewers stated that the first and second half of the book don’t feel related, but more like novellas mushed together. That’s not a good sign. As comparatively short as the books are, she should be able to manage a single plot all the way through.

Verdict:  A weak Borrow It – if you like the world, there’s still something here for you, but maybe not as much as you might like.

Available: now

Wandering Star (Zodiac #2) – @RominaRussell



Orphaned, disgraced, and stripped of her title, Rho is ready to live life quietly, as an aid worker in the Cancrian refugee camp on House Capricorn.

But news has spread that the Marad–an unbalanced terrorist group determined to overturn harmony in the Galaxy–could strike any House at any moment.

Then, unwelcome nightmare that he is, Ochus appears to Rho, bearing a cryptic message that leaves her with no choice but to fight.

Now Rho must embark on a high-stakes journey through an all-new set of Houses, where she discovers that there’s much more to her Galaxy–and to herself–than she could have ever imagined.


When Romina promised me an ARC of this book, I was so excited that words were hard pressed to convey it. And yet, even within all of my excitement, there was that voice in the back of my head that kept saying what if it isn’t as good. Thankfully, I can tell that voice in my head to shut the eff up for good.

Wandering Star was every bit as good. In fact, it’s better.

In a private Twitter conversation, Romina mentioned how much she loved this book, and that love absolutely shines through the page.

The worlds that make up Capricorn, Sagittarius and Taurus brim with creativity and feel completely distinct from one another. There’s the way the Capricorn sends messages via holograms in the sky and eat communally with bring-your-own-plates-and-silverware whereverr you’re going to Sagittarians traveling by cannon (!) and more Heart puns than you can count in The Heart of Taurus. Honestly, I can’t remember when a novel in this genre felt almost like a travelogue. It was so vivid and so detailed that it made me wish I could go into Space and see these places for myself.

Wandering Star takes a turn to being a more character driven novel, a change I whole-heartedly endorse. Throughout the book we see Rho questioning who she is and how her relationship with her mother and her brother defines her. We get this wonderful doomed romance between her and Hysan. Even as I kept rooting for them to get together, there was this beautiful air of star-crossed lovers/doomed romance that gave their relationship this bittersweet feeling that far too many YA authors are afraid to approach and depict in their novels. Speaking of characters, you see many returning favorites here, and even several fun new ones, such as Miss Trii, a robot built by Hysan that will make anyone with a Jewish mother smile whenever she is on the page.

Finally, we have the plot itself: the interplay between Orphichus and Rho is really interesting to watch, as is Rho’s interactions with the wider Zodiac. While the themes of the plot aren’t exactly new (see any other number of YA novels and especially dystopias that embrace the ideal of embracing yourself for who you are instead of trying to fit in), the take on it is interesting and fresh enough to remain compelling. As before, there are moments are tip-toe to the line of being preachy, but always manages to back away at that last second.

I loved this book even more than I thought possible, and I hope this season sees an uptick in popularity. It deserves more love than it gets. Overall, 2015 has been a banner year for YA sci-fi and this book is helping end the year iwth a bang.

Verdict: Buy It

Available: December 15

Nice Dragons Finish Last (Heartstriker #1) – Rachel Aaron



As the smallest dragon in the Heartstriker clan, Julius survives by a simple code: keep quiet, don’t cause trouble, and stay out of the way of bigger dragons. But this meek behavior doesn’t fly in a family of ambitious magical predators, and his mother, Bethesda the Heartstriker, has finally reached the end of her patience.

Now, sealed in human form and banished to the DFZ–a vertical metropolis built on the ruins of Old Detroit–Julius has one month to prove that he can be a ruthless dragon or kiss his true shape goodbye forever. But in a city of modern mages and vengeful spirits where dragons are considered monsters to be exterminated, he’s going to need some serious help to survive this test.

He only hopes humans are more trustworthy than dragons…


Nice Dragons Finish Last is a bit of an odd beast. On the one hand, the genre, the age of the protagonists, some of their actions and certain aspects of the plot 100% would suggest that this book is an adult title. On the other hand, there’s this earnestness, this You Be You / Embrace Who You Are message that runs throughout the book and in a way this sense of chasteness is all very Young Adult. It’s this odd dichotomy that results in a book that doesn’t really comfortable in its own skin, ironically, not unlike its own protagonist. For the record – it’s technically young adult, or so the author claims.

It’s a shame too, because Aaron’s big strength – the magic – is as clever as it’s ever been in her other books, and having dragons to play around with as protagonists is kind of fun, even if it doesn’t culminate in anything particularly unique – if we’re honest here, for the vast majority of the story, these could have been some kind of clan of weres or shifters without too much of a noticeable difference.

I’ll admit – this book grew on me as I read on and I ultimately did enjoy it. But do I want to keep reading? Do I want to recommend it? I don’t know, probably because I don’t know who I’d recommend it too. I don’t think most UF fantasy fans will like it – there’s too much much YA present. I’m not sure if a lot of YA fans will like it because it mostly feels like an adult novel. Maybe fans of both? There’s a REASON that UF is predominantly in the adult space, you know?

So yeah. If you like UF and you read YA, give this a look. Everyone else can probably skip it, though at its permanent $4.99 price point (or free on Kindle Unlimited), it’s a low risk investment if you like the sample chapters.

Verdict: Borrow it.

Available Now

Silver in the Blood (Silver in the Blood #1) – Jessica Day George



Society girls from New York City circa 1890, Dacia and Lou never desired to know more about their lineage, instead preferring to gossip about the mysterious Romanian family that they barely knew. But upon turning seventeen, the girls must return to their homeland to meet their relatives, find proper husbands, and—most terrifyingly—learn the deep family secrets of The Claw, The Wing, and The Smoke. The Florescus, after all, are shape-shifters, and it is time for Dacia and Lou to fulfill the prophecy that demands their acceptance of this fate… or fight against this cruel inheritance with all their might.

With a gorgeous Romanian setting, stunning Parisian gowns, and dark brooding young men, readers will be swept up by this epic adventure of two girls in a battle for their lives.


I remember when ARCs first starting coming out that there was excitement within the blogger community: the cover is quite striking and perhaps one of my favorites in some time and the premise was intriguing as well. I also remember the excitement dying relatively quickly to boot. With a rather tepid 3.42 rating on Goodreads at time of review, it would seem that it never quite caught on with the larger reading public either.

I can kinda see why.

This isn’t a bad book, so much as a book that I don’t think lived up to its potential because it wasn’t quite sure what it wanted to be. It had airs of being a Gothic romance, but there was seemingly no romance to speak of, other than references to The Incident that occurred with Dacia before the book began and yet, but the end of the books both girls seemingly have suitors because? The book promises an “epic adventure” but there’s actually rather little action in the story proper. I even see shades of Gail Carriger in the somewhat flippant way discussion of fashion is interspersed with the story at hand. I feel like she had a solid concept but did not know how to execute it.

In terms of the story, it takes almost halfway through the book to find out what the family secret is in its entirety. Too bad that between the cover, an early sequence, and references to Dracula that readers can figure it out in the first few chapters, making the build up seem overlong. Second,  the villains are Villains. I suppose that the grandmother would fit right in a Gothic horror, but there wasn’t enough horror to call it as such. The other main villain (which I will not spoil here) has slightly more nuance but it’s no great surprised what they turn out to be the other villain. It’s all just there.

The other major problem is characterizations, or more precisely, how characters seemingly flip on a dime. At the start, Lou is seen as the nervous one and Dacia the brash and bold. By the three-quarter mark, their roles are almost entirely reversed. The explanation provided doesn’t make a great deal of sense, as forms are dictated by personality, but the form that Lou ultimately gets – the one that is supposed to lead the family – apparently seeks out those with traits diametrically opposed to what a leader would have. But instead of going back to the drawing board to fix it, she just flips a switch. It’s a lazy at best fix that just doesn’t work.

Although Goodreads is listing this as the first book in a series, and even though the ending is open-ended enough to allow for sequels down the road, apparently this book is currently a stand-alone. That’s probably for the best. I don’t think there’s enough meat on the bones to support an expansion of the series.

Verdict: Skip It

Available: Now

Taken (Alex Verus #3) – Benedict Jacka



Mage apprentices have been vanishing without a trace—and someone on the council might be involved. Alex Verus has no evidence, no witnesses, and no suspects. All he knows is that someone is keeping tabs on him. And after assassins target his own apprentice’s classmate, Alex sees that he doesn’t know the half of it—and that he could be the next to disappear…


First, to answer the question I’m sure no one is asking: yes, I did read Wandering Star first. I’m just delaying the posting of my review to a bit closer to review date (Spoiler Alert: It was awesome). Anyway, after reading that wonderful book, I was in the mood for something fun so I decided to pick back up with the other series I seem to be making way through in 2015 – The Alex Verus novels. This is three of currently six, with a seventh due out in April. Not sure I’ll have made it through all of them by then, but I’m certainly making an effort!


Taken picks up a few months after Cursed left off: Luna is now fully ensconced in the Light Mage’s Apprentice program and Alex’s various adventures have brought him to greater notoriety within Mage society even as his uneasy peace with the Council holds. As in books past, Alex is again approach by the Council to figure out what they cannot: who is kidnapping Apprentices and what is being done with them. It sets off into an investigation whose reveal is actually rather cleverly (and subtly) foreshadowed early on. It’s a fun twist on perhaps a not unfamiliar theme within these novels. We also get plenty of time to see how Luna is growing (anyone complaining about how Luna fares in the first book really does need to keep reading, she gets stronger with every book), and an interesting side-story about two effectively master-less Apprentices and their ties to a non-human that is more Dark than light.

This series remains quite an enjoyable read with some solid world-building. It’s not necessarily breaking any molds within urban fantasy, but it does what it does quite well and with a book like this, that’s what you want it to do. Fans will be quite pleased.

Verdict: Buy It

Available: Now

Unpopular Opinions Book Tag (YA Edition)

I guess this was supposed to be for Halloween, but timing didn’t quite work out, so instead, I decided to give it a YA focus!  Anyway, thank you to Denise at Dandelionn Wine for the tag!

Let’s get started!

Popular Book or Series That You Didn’t Like


I thought about stealing Denise’s answer of Uprooted (I had many of the issues she did), but I refuse to cop out on one of these things that early, so I’m going to with The Dream Thieves instead. Now let’s be clear: I enjoyed the Raven Boys quite a bit. What it took me The Dream Thieves to realize is how much of my enjoyment really did stem from Blue and her family. When the point of view shifted, I realized that I was left with a bunch of trope-y, rich and broody YA guys that I cared not one whit for. The plot should have been more interesting than it actually was too as you can’t really call this books a character study. So, yeah. Dug The Raven Boys, but The Dream Thieves put an end to my interest in these books.

Popular Book or Series Everyone Else Seems to Hate But You Love


I really couldn’t think of anything off the top of my head to answer this question, so I decided to run down my ratings on Goodreads versus what the overall community said and this is about the closest thing that I was able to find. I gave it 5 stars, and the average on Good Reads is something like 3.48. In the real world, that’s a good number. In Good Reads land, where people seem to think that a 3 is evil, it’s kinda low. While I don’t think people hate it per se, it does seem to be very hit or miss book: you tend to love it, or find it an absolute slog and/or don’t finish it all. I still love it and am very looking forward to the sequel, but it’s one of those books that I think might have fared better had it been marketed as adult instead: it doesn’t really FEEL YA, despite being marketed as such.

OTP You Don’t Like


Alina/Mal. They are a couple that remain in love through out the books (even if they can’t be together) because the author says they should be. Mal is an absolute brat throughout the second book, and forever wants her to be the way she was not the women she became. Ultimately Alina/Mal remind me of Hermione/Ron in Harry/Potter: I don’t care that the author says that they’re meant to be together in the long term, I don’t buy it because they’re just such different people.

Popular Book Genre You Hardly Reach For


YA Contemporary

I almost picked this book for the first question, but realized that that was really unfair to the book: this book, and by extension the whole genre is just Not For Me. I don’t recognize the kids, I hate the tropes and I have just no interest in picking up books in this genre on my own. Are there ones out there that I might actually like? Probably. Does that mean I want to go seeking one out? Nope!

Popular or Beloved Character You Do Not Like


Celeana. She exists. She’s a little too damn good at everything she does. While I’m not going to hurl the dreaded Mary Sue label on her, she’s certainly walking on that path. I don’t get the fuss. Of course, I also think that she isn’t really all that different than most other YA fantasy heroines either, which leads me to be even more confused about why there’s so much love for her. I don’t hate her, but meh.

Popular Author You Can’t Seem to Get Into


Yep. I’m going there. As I indicated before, I don’t get the fuss about Celeana, ACOTAR didn’t grab my eye at all and I’m just not seeing whatever it was that helped elevate her to the immense popularity she currently has within the YA sphere.

Popular Book Trope You’re Tired of Seeing

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I picked a couple of titles to try and show that this is a thing across YA in general and not limited to any one part of YA: the absentee/scatter brained/neglectful parent. Yes, I know that parents having healthy relationships with theirs is oh-so-boring, but authors, they do actually exist, and iwth a bit of effort, I think you can even use such a dynamic to enrich your story. Far too often the trope is used as a means of letting the protagonist do whatever the heck s/he wants or needs to to without having to deal with the obstacles that having concerned parents brings. But those same obstacles can be opportunities to show off your characters creativity and I wish some would give that a chance.

Popular Series You Have No Interest in Reading

 23437156A Darker Shade final for Irene

Technically A Darker Shade of Magic is adult, but it’s got a huge crossover appeal, so that still counts, right? But basically I’m in the same boat on both series: authors who’ve written books I’ve love write super anticipated new series that just don’t work for me on one level or another, even though they are well written. I know, I’m going to get shunned from the blogging community for these picks, aren’t I?

Movie or TV Show Adaptation You Prefer More Than the Book

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I thought this was going to be hard, but when I actually stopped to think about it, these popped into my mind instantly. Again, True Blood (Sookie Stackhouse Mysteries) isn’t exactly YA but pfft since The Vampire Diaries unquestionably is. Both shows borrow heavily from the books in early seasons and drift further and further apart as time goes on. I personally prefer the shift in focus that comes with the changes and while both shows definitely have issues, I think they take the source material to a better place overall.

So those are my unpopular opinions, what are yours? As usual, I don’t tag. If you want to do it, go for it!