Everybody in Chicago has a “superhero sighting” story. So when a villain attacks editorial assistant Gail Godwin and she’s rescued by superhero Blaze, it’s a great story, and nothing more. Until it happens again. And again. Now the media has dubbed her Hostage Girl, nobody remembers her real name, and people are convinced that Blaze is just her boyfriend, Jeremy, in disguise.
Gail’s not so sure. All she knows is that when both Jeremy and Blaze leave town in the same week, she’s probably doomed. Who will save her now?
Yet, miraculously, the villains lose interest. Gail is able to return to her life … until she wakes up strapped to a metal table by a mad scientist who hasn’t read the news. After escaping–now more than human herself–she’s drawn into a secret underground world of superheroes. She’ll have to come to terms with her powers (and weaknesses) to make it in the new society, and it’s not easy. After all, there’s a new villain on the rise, and she has her sights set on the one and only Hostage Girl.
First and foremost, can I say this is a fantastic premise? So often in comic-book series, women are reduced to the helpless damsel-in-distress trope. Modern comics are starting to buck this trend to an extent, but the tropes are very much still alive and the general public is still more apt to know about Mary Jane Watson always getting rescued by Spider-Man than know that the extended Bat-family has both a Batgirl and Batwoman or that Thor is now a woman in Marvel’s recent reboot. So yeah, this notion that someone can go from being the villain-bait to the villain-fighter is something I can get behind. Without spoiling it, her origin story is appropriately absurd and fits right in with the likes of Spiderman and the other heroes who need a little outside help to get their powers. The explanation behind the explanation even made me laugh, it was that great.
The bulk of the book is spent with her adjusting to her new life, making new friends and trying to wrap her head around her new powers and a villain named Chelsea, whose new to the gig and still working on the villain name and outfit. While nothing in this story is overly unexpected, it’s well done and you quickly grow to enjoy the group of people that surround Gail: her mentor Vicki, her trainer Angélica and Blaze. Dunne does take the time to explain how Blaze and Jeremy are connected and it’s well done. It’s a very human feeling story for a group of superheroes and it’s something I always appreciate in my superhero tales because quite frankly, they are still people and perfection is boring to read about.
So yeah, it’s a fun, enjoyable read, and then you hit that ending.
If you can call it an ending.
This is one of those books, where it doesn’t really end so much as just break off and throw a “to be continued” onto the last page. “But wait,” you say, “superhero comics end on cliffhangers all the time!” This is true. What’s also true is that media only allows for 22-24 pages of story per issue. This is a book. This can be as long as it needs to be, especially because this is a genre that allows for longer books. I really do wish they’d done it, because it’s just so hard to shake that feeling that the work is undone, especially when the cliffhanger feels a bit out of left field. It’s ultimately just frustrating.
Had this book told a complete story, I’d probably be recommending fully: it’s a book that hits sweet-spot of the genre that fans of the genre will enjoy. As it is, I’m going to have to stick with my gut and knock this down a notch. I’ve yet to find a book that was otherwise so fantastic that would let me overlook a non-ending like this, and sadly, this one won’t be the first to do so.
Verdict: A strong Borrow It.